"Time can never mend the careless whispers of a good friend. To the heart and mind, ignorance is kind. There's no comfort in the truth." -- Wham!
A long time ago, I wrote about the regulars, the people I encounter every single day on my commute. I've never mentioned Metro Man until now, though; he's almost always the first person I greet every morning, and he certainly deserves a blog entry of his own.
Metro Man wears an orange jacket, he stands at the foot of the staircase I use to ascend to the N train, and he hands out free copies of Metro newspaper. Every morning, he and I have the exact same conversation:
Me: Good morning.
Him: Good morning lady. [tries to hand me a newspaper]
Me: No thank you.
Him: [mutters something unintelligible]
Metro Man's mumbles never sound the same twice; hell, they never sounded like anything. For months on end, I listened very intently to Metro Man to try and determine what the hell the guy was saying to me. I'm no stranger to hopeless causes, though, and this certainly qualified as one.
I gave up trying to comprehend Metro Man's speech a long time ago, but I kept my optimism. Instead of trying to understand the guy, I've turned his rambling into my very own private joke. I have zero idea what on Earth he's actually trying to say, so in my mind, that gives me license to invent my own interpretation.
As a result, Metro Man takes a few moments out of his day to try and tell me the secrets of the universe. Last month, he named Kennedy's assassin, the location of Bigfoot, and what's stored at Area 51. A week ago today, he whispered the location of Jimmy Hoffa and what happened to the dinosaurs. Yesterday, he taught me how to achieve perpetual motion. And today, he told me I looked really pretty in my summer dress.
Thursday, May 21, 2009
Sunday, May 17, 2009
Ensign Ricky
"Nothing you have said is revelation. Take my blues as read! My consolation: finding out that I'm my one true obligation." -- Tim Rice
I don't work on Fridays, and since I'm lucky enough to have a few friends who share the same fortunate employment situation, we were able to spend the entire day lazing around midtown. Afterstalking an actor friend at his place of business having lunch at Ruby Tuesday's, discussing the men in our lives, and planning a camping trip or three, we caught a showing of Star Trek in IMAX.
The film is new, it's different, it screws canon to high heaven, it completely rewrites Star Trek history... and I loved every minute of it. The new cast kicked ass, the new Enterprise is stunning, Eric Bana made the sexiest villain since Khan, and the writers were able to include Leonard Nimoy in the film without campiness or contrivances. (Not to mention that I finally see why Rutila has loved Zachary Quinto for so long... he's talented, he's insanely hot, and his scenes with Zoe Saldana were way more intriguing than I thought they would be.)
We took a long walk after the film, went shopping for sheet music, and ended up meeting my coworkers at Butterfield 8. I had a few glasses of whiskey and a few laughs, scared off a few cocky bankers with the phrase "biomedical engineering," and handed my phone number to a couple of un-cocky scientists who didn't frighten so easily. I argued with a man who claimed that my straight hair and oversized sunglasses made me look exactly like Megan Fox. I watched the Yankees game, cheered and yelled and booed appropriately. I stood chest-to-chest with one of my colleagues -- a Twins fan -- as we screamed in each other's faces about whether or not Mariano Rivera has played his whole career for the Bombers. (I was right, of course; Mo is indeed homegrown.) Five of us went to Taj after that, then we went to a dive bar across the street after we were thrown out of Taj for wearing sandals, then we went to another dive bar half a mile away to sing bad karaoke. I hailed a cab on Park Avenue South a little after one in the morning, and while stuck in traffic, I watched a man throw a lit cigarette into a trashcan. He panicked as the contents caught fire and ran away as half a block's worth of garbage began to blaze. I could hear the sirens in the distance as my cab approached the Queensborough Bridge.
On my ride home, I thought about my incredibly full day and night -- the people, the moments, and, of course, Star Trek. And despite everything that happened over the course of the day, only two things really stuck out in my head: my lunchtime conversation and my in-your-face Mariano Rivera argument. The rest of the events and the individuals were interesting in their own right, but they were mentally expendable. To use a Star Trek analogy, they were my Redshirts -- or to borrow the term popularized by Family Guy, they were my Ensign Rickies.
For those unfamiliar with Trek lore, it's a fact of life that, on every away mission, the random dude in the red shirt always bites the dust first... and no one ever seems to care. It happened in the original series, it happens in the sequels, it happens in the old movies, and it happens in the new movie. And more and more nowadays, I'm starting to recognize Ensign Rickies in my own life -- people who serve a purpose at the moment, but if they were to encounter Nomad, the vampire cloud, or the orbital platform and vanish, I wouldn't be too devastated.
The complication lies in separating the truly expendable from the diamonds in the rough -- after all, Scotty wears a red shirt too. Thus, on Friday night, I made a conscious effort to fight the urge to only focus on the Spocks and McCoys of my day and take notice of the anonymous ensigns too, regardless of how little interest I initially showed in them. I thought things through, followed-up... and was pleasantly surprised. Twice.
I don't work on Fridays, and since I'm lucky enough to have a few friends who share the same fortunate employment situation, we were able to spend the entire day lazing around midtown. After
The film is new, it's different, it screws canon to high heaven, it completely rewrites Star Trek history... and I loved every minute of it. The new cast kicked ass, the new Enterprise is stunning, Eric Bana made the sexiest villain since Khan, and the writers were able to include Leonard Nimoy in the film without campiness or contrivances. (Not to mention that I finally see why Rutila has loved Zachary Quinto for so long... he's talented, he's insanely hot, and his scenes with Zoe Saldana were way more intriguing than I thought they would be.)
We took a long walk after the film, went shopping for sheet music, and ended up meeting my coworkers at Butterfield 8. I had a few glasses of whiskey and a few laughs, scared off a few cocky bankers with the phrase "biomedical engineering," and handed my phone number to a couple of un-cocky scientists who didn't frighten so easily. I argued with a man who claimed that my straight hair and oversized sunglasses made me look exactly like Megan Fox. I watched the Yankees game, cheered and yelled and booed appropriately. I stood chest-to-chest with one of my colleagues -- a Twins fan -- as we screamed in each other's faces about whether or not Mariano Rivera has played his whole career for the Bombers. (I was right, of course; Mo is indeed homegrown.) Five of us went to Taj after that, then we went to a dive bar across the street after we were thrown out of Taj for wearing sandals, then we went to another dive bar half a mile away to sing bad karaoke. I hailed a cab on Park Avenue South a little after one in the morning, and while stuck in traffic, I watched a man throw a lit cigarette into a trashcan. He panicked as the contents caught fire and ran away as half a block's worth of garbage began to blaze. I could hear the sirens in the distance as my cab approached the Queensborough Bridge.
On my ride home, I thought about my incredibly full day and night -- the people, the moments, and, of course, Star Trek. And despite everything that happened over the course of the day, only two things really stuck out in my head: my lunchtime conversation and my in-your-face Mariano Rivera argument. The rest of the events and the individuals were interesting in their own right, but they were mentally expendable. To use a Star Trek analogy, they were my Redshirts -- or to borrow the term popularized by Family Guy, they were my Ensign Rickies.
For those unfamiliar with Trek lore, it's a fact of life that, on every away mission, the random dude in the red shirt always bites the dust first... and no one ever seems to care. It happened in the original series, it happens in the sequels, it happens in the old movies, and it happens in the new movie. And more and more nowadays, I'm starting to recognize Ensign Rickies in my own life -- people who serve a purpose at the moment, but if they were to encounter Nomad, the vampire cloud, or the orbital platform and vanish, I wouldn't be too devastated.
The complication lies in separating the truly expendable from the diamonds in the rough -- after all, Scotty wears a red shirt too. Thus, on Friday night, I made a conscious effort to fight the urge to only focus on the Spocks and McCoys of my day and take notice of the anonymous ensigns too, regardless of how little interest I initially showed in them. I thought things through, followed-up... and was pleasantly surprised. Twice.
Monday, May 4, 2009
The House That Ruth Did Not Build
"Then the night turned cold, colder than the moon. The stars were white as bones. The stadium was old -- older than the screams, older than the teams. There were three men down and the season lost and the tarpaulin was rolled upon the winter frost." -- Paul Simon
Last Saturday afternoon, I paid my first visit to the new ballpark where the New York Yankees play their home games. I can't verbally call it (and won't refer to it in print as) "Yankee Stadium," which should give you an idea of how I feel about the place.
That sounds a little cruel. The Yankees' new home is a beautiful -- no, downright stunning -- ballpark. Photos of Yankees legends are plastered everywhere, most notably in the Great Hall (where soaring thirty-foot high banners portray the greats in black-and-white on one side and color on the other). The fair portions of the field are the same dimesions, even down to the short porch in right. The exterior is resplendent with gold leaf and shining white limestone and cathedral windows and looks like Yankee Stadium did before its 1975 renovation. The facade crowns the seats instead of the scoreboard and Monument Park has been restored to center field, just as they looked in 1923. Most of the dirt was carted over from across the street, so today's Yankees technically play on the same soil that Ruth and Gehrig and DiMaggio and Mantle did. The new ballpark is perfect, but nevertheless, it didn't feel right. I spent three hours sitting in a seat that's technically mine but felt nothing like my beloved Section 9, surrounded by forty thousand strong while a majestic deserted ballpark quietly rotted a few hundred feet away. I cheered and chanted and enjoyed the game, but I was always acutely aware that Yankee Stadium is supposed to sit on the opposite side of 161st Street.
The architects and designers of the new stadium tried VERY hard to pay homage to the history of the Yankees, but at best it all seems a bit cartoonish and at worst it feels like a slap in the face. To illustrate the former, consider that the foul territory has been cut in half to bring expensive seats closer to the diamond, the cathedral-esque exterior hides a shopping concourse, the gleaming white facade hangs over "cheap seats" that have been halved in quantity, and Monument Park is hidden under a corporate-branded sports bar.
I'll use a longer example to illustrate that slap in the face. When Thurman Munson, the famed catcher and former captain of the Yankees, died halfway through the 1979 season, none of his teammates could bring themselves to clean out and reassign his locker. It sat in the clubhouse untouched, looking exactly as it had the last time Munson hung up his jersey, for the remainder of that season... and the season after that and the season after that. For the next thirty years, Munson's locker was only disturbed for cleaning; the clubhouse was renovated around it, lockers were assigned and deserted and reassigned without heed to it, and subsequent Yankees captains were relocated to the locker next to Munson's. It was a private tribute made and maintained by those who shared a special bond with Munson, whether by friendship or by the ties of pinstripes. But when the Yankees moved across the street after the 2008 season, Munson's locker had to be moved as well.
The current captain of the Yankees dresses next to an empty locker before every home game, but it's not Munson's. The space adjacent to Derek Jeter's locker stands empty as a tribute to all lost legends... while Munson's locker stands upstairs in a museum, encased in glass, visible to fifty thousand people a day.
It's a perfect microcosm of everything that's wrong with the stadium itself. My Yankee Stadium, with its rickety frame and uncomfortable seats and peeling paint and quirks and nuances and undeniable baseball magic, has been replaced with a Stepford Wife fascimile and put on display for the world to gawk at. The Yankee Stadium I called home may not have had cathedral windows, but I worshipped there for fifteen years, poured hundreds of prayers into those walls, and emerged with just as many secrets and divine inclinations.
I'll get used to it eventually. I'll keep going to the games, and as my time spent in section 211 starts to approach my time spent in Section 9, I'll start to build a new set of memories to cherish and a new set of prayers to live by. But last Saturday, for the first time in my life, I sat in Yankee Stadium and felt homeless.
Last Saturday afternoon, I paid my first visit to the new ballpark where the New York Yankees play their home games. I can't verbally call it (and won't refer to it in print as) "Yankee Stadium," which should give you an idea of how I feel about the place.
That sounds a little cruel. The Yankees' new home is a beautiful -- no, downright stunning -- ballpark. Photos of Yankees legends are plastered everywhere, most notably in the Great Hall (where soaring thirty-foot high banners portray the greats in black-and-white on one side and color on the other). The fair portions of the field are the same dimesions, even down to the short porch in right. The exterior is resplendent with gold leaf and shining white limestone and cathedral windows and looks like Yankee Stadium did before its 1975 renovation. The facade crowns the seats instead of the scoreboard and Monument Park has been restored to center field, just as they looked in 1923. Most of the dirt was carted over from across the street, so today's Yankees technically play on the same soil that Ruth and Gehrig and DiMaggio and Mantle did. The new ballpark is perfect, but nevertheless, it didn't feel right. I spent three hours sitting in a seat that's technically mine but felt nothing like my beloved Section 9, surrounded by forty thousand strong while a majestic deserted ballpark quietly rotted a few hundred feet away. I cheered and chanted and enjoyed the game, but I was always acutely aware that Yankee Stadium is supposed to sit on the opposite side of 161st Street.
The architects and designers of the new stadium tried VERY hard to pay homage to the history of the Yankees, but at best it all seems a bit cartoonish and at worst it feels like a slap in the face. To illustrate the former, consider that the foul territory has been cut in half to bring expensive seats closer to the diamond, the cathedral-esque exterior hides a shopping concourse, the gleaming white facade hangs over "cheap seats" that have been halved in quantity, and Monument Park is hidden under a corporate-branded sports bar.
I'll use a longer example to illustrate that slap in the face. When Thurman Munson, the famed catcher and former captain of the Yankees, died halfway through the 1979 season, none of his teammates could bring themselves to clean out and reassign his locker. It sat in the clubhouse untouched, looking exactly as it had the last time Munson hung up his jersey, for the remainder of that season... and the season after that and the season after that. For the next thirty years, Munson's locker was only disturbed for cleaning; the clubhouse was renovated around it, lockers were assigned and deserted and reassigned without heed to it, and subsequent Yankees captains were relocated to the locker next to Munson's. It was a private tribute made and maintained by those who shared a special bond with Munson, whether by friendship or by the ties of pinstripes. But when the Yankees moved across the street after the 2008 season, Munson's locker had to be moved as well.
The current captain of the Yankees dresses next to an empty locker before every home game, but it's not Munson's. The space adjacent to Derek Jeter's locker stands empty as a tribute to all lost legends... while Munson's locker stands upstairs in a museum, encased in glass, visible to fifty thousand people a day.
It's a perfect microcosm of everything that's wrong with the stadium itself. My Yankee Stadium, with its rickety frame and uncomfortable seats and peeling paint and quirks and nuances and undeniable baseball magic, has been replaced with a Stepford Wife fascimile and put on display for the world to gawk at. The Yankee Stadium I called home may not have had cathedral windows, but I worshipped there for fifteen years, poured hundreds of prayers into those walls, and emerged with just as many secrets and divine inclinations.
I'll get used to it eventually. I'll keep going to the games, and as my time spent in section 211 starts to approach my time spent in Section 9, I'll start to build a new set of memories to cherish and a new set of prayers to live by. But last Saturday, for the first time in my life, I sat in Yankee Stadium and felt homeless.
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